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Paper代写:Keith harling's graffiti

2019-09-30 | 来源:51Due教员组 | 类别:Paper代写范文

本篇paper代写- Keith harling's graffiti讨论了凯斯·哈林的涂鸦作品。凯斯·哈林,美国涂鸦文化的核心代表人物,毕业于纽约视觉艺术中心平面设计系。在其短暂的30余年时光中,创作出无数具有鲜活生命力和强烈视觉冲击力的作品。以凯斯·哈林为代表的后现代涂鸦艺术充满激情和活力,其作品因简洁的平面构成语言、扁平化创作风格而成为平面化涂鸦的视觉经典。本篇paper代写51due代写平台整理,供大家参考阅读。

Keith harling, the core representative of American graffiti culture, graduated from the graphic design department of the visual arts center in New York. In his short time of more than 30 years, he created numerous works with vivid vitality and strong visual impact. The post-modern graffiti art represented by Keith harling is full of passion and vitality. His works have become a visual document for the study of planar graffiti due to the concise plane composition language and flat creation style. The cross-field development of his works also provides a reliable model for the study of cross-field design.

In harlem's works, the use of dots is a common visual expression. The point is the foundation of all forms, the use of the point to create different visual experience. At the same time, the regular and irregular arrangement of points can form changes in area, space and color, giving people a lively, jumping feeling, producing different texture effects, and transmitting a form of beauty. Untitled in harlem's work Untitled, the small figure in the middle of the two black figures USES small points to fill the whole figure. The contrast between the dotted surface and the two black solid figures and the space makes the whole picture have a sense of hierarchy. At the same time, the ground chooses a larger point to distance itself from the small point used by the middle figure, and the corresponding points form different surfaces to show different spatial effects.

Harlem's work is simple, straightforward and childlike. Most of the works use rough lines to outline the image of hollow man, plus bright color filling, with the point as an auxiliary decoration, the dynamic and characteristics of the main object, expressed in the form of point, line and surface. According to the Russian abstract painters, line is an invisible entity, which is formed by the continuous movement of points. Straight lines represent hardness and curves represent life and motion. Harlem's graffiti usually adopts bold and unbridled curves to outline hollow little figures, conveying a vivid vitality of organic form and a rebellion against tradition. In plane construction, thin lines show nervousness and lack of confidence, while thick lines show confidence and firmness. This also reveals the emotional design and rational thinking in harlem's works, and conveys an optimistic and confident attitude towards life with the expression of rough curve.

The "face" in harlem's graffiti works is mostly composed of color filling. As an objective existence, color itself does not have material attributes, but the use of different colors conveys different forms and emotions. Harlem skillfully USES the characteristics of color to inject a new blood into the post-modern development, showing freedom and unruly, expressing the criticism of modern society and the whole society from the inside out. High lightness, high saturation and long wave colors, such as red, yellow and blue, are commonly used in harlem's graffiti works. The use of these expansible color blocks can make people feel excited or even stimulate physiological reactions, to give a static color dynamic emotional experience, enhance visual effects. In addition, the color application of each subject in the work is also very simple. The contrast between the color blocks highlights the subject, and the pure color makes the whole picture harmonious and unified, giving people a complete feeling.

The colors of harlin's works are often untempered and pure, painted with a brush and rough lines to outline the human figure, which is similar to the brutalist style. Bruvism advocates that "accurate depiction does not equal truth", and most of its works overturn traditional aesthetic principles, such as simple and rough lines, large areas of plain color, and lack of perspective principle. This concise and intuitive technique of expression broke away from the shackles of realism, so that the picture has a sense of space. At the same time, brutalist painters believed that painting was "the real expression of self-emotion", that is, the real expression of individual subjective consciousness. They freely use a variety of primary color flat paint, bold and unrestrained lines, reflecting the childlike painting like children, with an obvious tendency of expressionism. Harlem screened the painting content, removed the complicated lines and surfaces in traditional painting, replaced the perspective relationship of traditional painting with the rough and smooth lines as the contour, so that the whole picture was concise and intuitive, and selected red, yellow, blue, black, green and other primary colors. Through the abstract and concise expression techniques and simple color changes show harlem's optimistic spirit and childlike innocence.

The expression and cross-domain creation of Keith harling's graffiti are of profound significance for the research on the development of cross-domain design. After the World War II, the rapid development of economy nourished the development of design. The single visual expression could no longer satisfy the public's aesthetic appreciation. Harling's graffiti first appeared on subway station walls, but then gradually expanded to include "pop shop", which opened in 1986. The products include t-shirts, sculptures, paintings and so on. He once described pop shop this way: the focus of making art is to communicate and promote culture. Through "pop shop", harlem successfully transferred his graffiti art from wall painting to commercial products and entered the public life. His works are simple and flat, and the size, shape and color are convenient for the adjustment of the applied products, which soon achieved the dual value of artistic aesthetics and commercial practicability. The cross - boundary comprehensive development of harlem's works not only meets people's spiritual pursuit, but also conforms to the development trend of diversified and personalized society, becoming a model of cross - boundary design research.

Keith harling used simple plane composition language to convey rich pictures and abstracted concise visual expression language from traditional paintings. The trans-boundary comprehensive development of his works enables the original graffiti works to continue and innovate, promote the spread of graffiti culture and obtain commercial benefits. Harlem's work has not been covered by the years, his graffiti art design will always follow the trend of The Times.

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