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英国Paper代写:Eugene Smith

2019-01-09 | 来源:51due教员组 | 类别:Paper代写范文

下面为大家整理一篇优秀的paper代写范文- Eugene Smith,供大家参考学习,这篇论文讨论了尤金·史密斯。尤金·史密斯被认为是当代新闻摄影的大师,他创作了战争史上让人震撼的照片。史密斯的照片中对社会的不公平的记录深深地影响了美国民众。他在日本拍摄的关于汞中毒的骇人听闻后果的照片是他著名的作品之一。

Eugene Smith,尤金·史密斯,论文代写,essay代写,paper代写

Eugene Smith, considered a master of contemporary photojournalism. He created stunning photographs of war history. The record of social injustice in Smith's photographs has deeply affected Americans. His photographs of the appalling consequences of mercury poisoning in Japan are among his most famous works.

Eugene Smith was born on December 30, 1918, in wichita, Kansas. From 1924 to 1935, he studied in the local Catholic primary and secondary schools. From 1933 to 1935, Smith began his first photographic work.

The newspaper's account of his father's suicide was so different from what had happened at the time that Smith questioned the norms of American journalism. This led Smith to vow to be a photojournalist, to hold himself to the highest standards in his career, and to insist on total honesty in his own work as a journalist.

Smith studied photography at the university of Notre Dame in Indiana from 1936 to 1937. After graduation, he worked for the whitcotta eagle and the whitcotta beacon. He later became an assistant photographer for newsweek in New York. He was fired for using a 2.5-inch dual-lens reflex camera that was "too small." At a time when big magazines were all big cameras and wanted to cater to their readers with exquisite photographs, Smith thought there was more freedom to explore with a small camera. He is not satisfied with the kind of "depth of field, emotional depth is insufficient" works, would rather be unemployed also want to carry out "free photography".

Smith was injured in an explosion while taking a mock war photograph, so he applied to join the U.S. navy photography corps at the beginning of world war ii in 1942. But Smith's determination to be a war correspondent did not change at all. Later he was sent by a publishing company to the uss independence to cover many island battles in the Pacific theater. In 1944, he joined life magazine again and continued to work in the Pacific theater. Smith was assigned to the uss bunker hill to film the raids on Tokyo, the attack on iwo jima and the battle for Okinawa. His stirring photographs, including the one of a soldier rescuing a tiny, fly-covered dying baby from a cave on saipan, make up a timeless, moving collection. The picture of a wounded soldier lying in a badly bandaged Wright cathedral; And the decomposing body of a Japanese soldier on the coast of iwo jima. Smith's photographs of the Pacific during world war ii are considered the most serious and powerful reflection of the evidence of war. In 1945, on a small ridge off the coast of Okinawa, Smith was hit by a piece of shrapnel that sliced into his left hand, face and mouth. He was unable to work for two years. Two years later, in 1946, after the war, he picked up his camera again and his first photograph was of his two children walking through a forest path to a sunny spot in paradise road. The photograph was exhibited at the human family exhibition and became a world famous work.

In the postwar years, Smith captured with his camera a grim and hopeful picture of contemporary life, and his photographs became a typical record of social life. He focused his camera on his chosen heroes, ordinary people with noble sentiments and the victims of society.

In 1948, Smith began shooting "country doctor" in clemlin, Colorado, which is his first picture story. It tells the story of an unknown country doctor who sacrificed his youth and life for the poor people. Before Eugene Smith, no photographer had ever experienced the life of a subject so deeply and persistently in order to take photographs. His photographs are moving because he has abandoned his bystander status and embraced his subject's destiny as a participant. This kind of piece of life is what Smith is after. To this end, he was even criticized by the European photography industry, critics have been ridiculed as an "ideal romantic." Smith thought it was because they had been so used to cynicism and frustration that they could not believe anything, and he just stood by his convictions.

When he and his japanese-american wife spent their honeymoon in Japan in 1970, he devoted his creative life to mercury poisoning, the 20th century's greatest public nuisance.

Minamata is a small fishing village where fishermen became paralyzed from drinking wastewater from a factory and passed it on to the next generation. The case of mercury poisoning is now known collectively as minamata. Smith rented a room in minamata for four and a half years twice. He and the villagers eat the same food, live the same day, become their neighbors, friends, rather than a news reporter.

For the project, Smith was nearly beaten to death by factory thugs and spent months in hospital. However, he persevered and finally published the results in life magazine in 1972, drawing worldwide attention to this public hazard. Smith thus became a folk hero in Japan.

In filming these selections, Smith was often torn between the artist's attitude and the magazine's requirements. He has honed his photographic storytelling skills in practice. Even people who have no picture reading experience or are illiterate can understand what they are trying to say. His pictures and reports such as "Spanish village", "village doctor", "midwife", "schweitzer" and "minamata" greatly enriched and influenced the way of pictures and reports of journals represented by "life", which became a new model for cultivating photographers. These photos set a new standard for evocative photo stories. They represent, in powerful, clear, yet beautiful ways, the human processes and emotions that must be experienced, such as compassion, honor, daily work, birth and death. His picture is seen as a universal symbol. Smith's photo of the midwife murad cullen story touched American readers, and donations poured in to help midwives set up clinics in south Carolina.

After the publication of the minamata album, Mr. Smith spent many years in the countryside recovering from an old shell-shocked wound from a simulated war scene and a new one from a beating in minamata. He died just as he felt his health was improving and agreed to shoot for the reissue of the observer.

That same year, the international center for photography in New York established the Eugene Smith prize for his faith in human nature and for those who came after him with equally remarkable achievements.

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