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Paper代写:Plato's idea of inspiration

2018-01-11 | 来源:51due教员组 | 类别:Paper代写范文

下面为大家整理一篇优秀的paper代写范文- Plato's idea of inspiration,供大家参考学习,这篇论文讨论了柏拉图的灵感观。柏拉图的灵感观是其美学理论的一部分。在德谟克利特和苏格拉底等前人的基础上,柏拉图总结了“灵感观”的整体思想。柏拉图认为灵感获取的过程其实就是一种回忆的过程,是不朽的灵魂对形式世界的回忆过程。柏拉图认为造物主在另一个星球上创造了纯洁、不朽的灵魂,灵魂已经有了关于“美”的知识,但当他们出生为人时却忘记了这些知识。然而,当人在地球上看到“美”时便触发了人对真正的“美”的回忆

Plato's idea,柏拉图灵感观,英国论文代写,paper代写,论文代写

Plato thought that the poet was in a state of ecstasy when he was able to make a great poem, which was inspired by the poet when the spirit possessed him. For a long time, Plato's theory of inspiration and mania was considered to be irrational. The purpose of this paper is to explore the rational thought in Plato's inspiration, so that we can fully understand the light of wisdom flashed in Plato's inspiration theory.

Plato's concept of inspiration is part of his aesthetic theory. On the basis of predecessors such as Democritus and Socrates, Plato summed up the whole idea of "inspiration view". Plato thought that the fountain of art was "inspiration". The poet was able to create immortal poems because of the coming of inspiration. Plato's theory of inspiration consists of three parts: the source of inspiration, the acquisition of inspiration and the expression of inspiration.

"Ian" is the first book that Plato talked about inspiration. Plato explained his idea of inspiration through Ian's dialogue with Socrates. "When it comes to other poets, he can't listen or even doze, but when it comes to Homer, he immediately wakes up and concentrates and thinks." By talking about whether Ian is speaking about Homer and whether poets are based on art and knowledge, Plato leads us on the path of tracing the source of inspiration. And finally Plato's answer is: Ian praised Homer not by art, but by inspiration or divine possession.

Plato thinks that when the poet is in the state of the spirit, the poet's soul disappears and his body is driven by the gods. Thus, in Plato's view, when the poet was inspired, the deity suspended his thought and regarded him as his own incarnation. The poet is in an unconscious state. The poet teaches God's will in the tone of the spirit.

Plato thought that the process of inspiration was actually a process of memory, the memory of the immortal soul to the form world. Plato believed that the creator created a pure, immortal soul on another planet, and that the soul had knowledge of "beauty", but when they were born, they forgot that knowledge. However, when people see "Beauty" on Earth, they trigger a person's memory of true beauty.

In Plato's view, when poets are inspired, they are in a state of madness. He believed that the deity-inspired mania was noble and "God's best blessing to man". Therefore, Plato believed that to become a true poet and to create a great poem, it must be possessed by the Samuels, who will bring you into a wonderful poetic world. When the poet was inspired by God to climax, his consciousness gradually lost, Evans Fountain. This is also a process to re-enter the world of beauty and goodness.

The religious background of Plato's inspiration theory is myth, but Plato's religion is not what we call religion. The religion of Ancient Greece is the worship of God. "The religion of Ancient Greece is not what we understand as a collective of religious teachings, but a part of people's lives." In fact, religion became part of the ancient Greek consciousness. Ancient Greek poetry is closely related to religion. Poetry is the creation of a poet when he is possessed by a deity. The earliest poets were "Sons of God".

Plato was an outstanding dialectic, but not a materialist. It is almost impossible for him to talk about poetry without mentioning God. Plato was a great thinker and an ordinary man. He cannot transcend the limitations of his time. On the one hand, the gods of ancient Greece are the symbol of natural strength and soul, on the other hand they are the creators and advocates of civilized society. These gods have the same will, motives, and goals as human beings. They are actually the combination of God and man, ideal and reality, rationality and Sensibility. This combination points to the rationality rooted in the deepest part of life.

Plato thinks that reason is a memory of past life. The purpose of the recollection is to obtain the upper bound "the true existence". It can be seen that the recollection aims to obtain the truth through the phenomenon. Therefore, the recollection really contains the rational ingredient. Moreover, in the parable of Plato's soul carriage, horse's desire to reject material is a symbol of reason.

Although in Plato's inspiration theory, the spirit possessed was the source of inspiration, Plato emphasized the positive function of the poet's spiritual activity. As we all know, inspiration is the prerequisite of artistic creation. No writing skill can replace the importance of inspiration in writing. Inspiration and rationality are the relations of unity of opposites, which are equally important. Plato affirmed the importance of rationality and Sensibility in his theory of inspiration, and he especially emphasized the importance of sensibility.

If Plato's theory of inspiration is placed in the context of his ontology, it can be seen that the form theory and the theory of inspiration are interrelated in nature. Both contain idealistic ideas that transcend reality. Plato's idea pursues the truth of things, and inspiration requires poets to "construct the beauty of the idea world on the basis of imperfect secular beauty". In addition, Plato believed that the human cognition level and the ability are extremely limited, therefore to construct the beauty the mission needs the poet to be able to complete with the God's help, namely the poet in the spirit possessed state can complete.

Plato attributed his inspiration to the power of God. The poet's ability to make great poems is not a skill of knowledge, but a spirit possessed. God is actually a symbol of Plato's idea, and the embodiment of beauty and goodness. According to Plato's inspiration, we can see that Plato pursues the beauty of the imperfect foundation of the secular world. However, he also recognized the limitations of man in the construction of this beauty, so he needed the power of God and soul, only so that his theory was more easily understood and accepted by people in that time. In other words, Plato is riding the boat of reason, facing the waves of wisdom, toward the shore of reason and beauty.

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