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Paper代写:European Renaissance Art

2018-01-09 | 来源:51due教员组 | 类别:Paper代写范文

下面为大家整理一篇优秀的paper代写范文- European Renaissance Art,供大家参考学习,这篇论文讨论了欧洲文艺复兴时期艺术。欧洲文艺复兴时期诞生了许多经典的艺术作品,它们具有永恒的魅力。毋庸置疑,欧洲文艺复兴时期的艺术是如此的高不可及,具有永恒魅力。艺术与哲学都是时代的精华,艺术作品往往体现着艺术家的哲学理念,而一个时代群体的哲学理念精华又会渗透到艺术家的血液里,成为其艺术创作的心理定势。

Renaissance Art,文艺复兴时期艺术,英国论文代写,paper代写,论文代写

Art and philosophy are the essence of the times, artistic works often embody the philosophy of the artist, and the essence of the philosophy of an era group will permeate the blood of the artist and become the psychological set of his artistic creation. So what kind of mental and psychological factors promote the creation of Renaissance artists? In our country, humanism is often put together with the anti-feudal and religious superstition, which makes us feel that its social significance is greater than its cultural significance.

The renaissance of Europe was the birth of many classic works of art, they are timeless charm. When Marx spoke of Greek art, he said: "The difficulty is not in understanding the Greek art and the epic and the certain social development form." The difficulty is how they can still give us artistic enjoyment and, in a way, a normative and high model. "There is no doubt that the art of the Renaissance in Europe is so high that it has eternal charm." Art and philosophy are the essence of the times, artistic works often embody the philosophy of the artist, and the essence of the philosophy of an era group will permeate the blood of the artist and become the psychological set of his artistic creation. So what kind of mental and psychological factors promote the creation of Renaissance artists? Later scholars called it humanism. Humanist thought broke the unified situation of the scholastic philosophy and cleared the way for the later thought progress. But Humanism is also a very broad and mixed concept, in our country often put it and the anti-feudal, anti-religious superstition together, often make us feel that its social and political significance than its cultural significance. The purpose of this paper is to explore the emotional factors and spiritual impetus behind the deep artistic psychology of artists in this period in order to better appreciate, learn and practise "Western" as a foreign painting.

The relationship between philosophy and art is close, while the discussion of the Renaissance philosophy of the Times is inseparable from Christianity. In everyday language, the term "philosophy" can be extended to the most basic beliefs, concepts and attitudes of individuals or groups, and the term "philosophy" may refer to a purpose, proposition or idea. What about the basic beliefs of the Renaissance people? What is the attitude towards nature? What are their views and ideas about their country, society and people? These are necessary for us to understand the collective subconscious philosophy of the people behind the artists of this period, and we must begin with the Bible and Christianity. The Bible is the main canon of Christianity and the main ideological basis of Western culture. It is an important part of the traditional culture for the Western countries of Christian culture, and it has penetrated into the Western social philosophy, law, education, art and science and so on the influence of people's ideas.

The "truth" here refers to the understanding of the Bible. First of all, the creation of Renaissance works and the development of the times must be inseparable. People continue to pursue the truth, from ignorance to more correct, continuous improvement. The technology that is engaged in also is the unceasing innovation progress, thus brings the civilized progress.

Since the end of the Seventh century, the rulers to limit the rights of the sect, distorted the Bible out of Egypt 20 Chapter 4 "Not to carve their own idols, nor to carve any heaven, earth, and underground water in the image of things." Launched the anti-Idol movement, because of the destruction of the rise of the idol movement, so that the art of painting was banned, art has suddenly declined, the development of painting technology has been curbed. In the early part of the Middle Ages, there were no special painters, peasants or craftsmen, so many paintings were childish and coarse, such as paintings by laymen. In the late Middle Ages, in order to meet the requirements of the bishop and the nobles, the painting of the church murals and aristocratic portraits, there appeared a specialized in short-term painting Craftsman painter, painting technology is constantly progressing, after a period of time, eventually entered the glorious era of the Renaissance. In the six or seven century of the year, the technology of mural painting and fine drawing on parchment paper developed. However, the production of oil on canvas is another quality leap for painting technology. Realistic painting gradually mature, the picture performance more real and natural. If because of the progress of painting techniques to make the effect of the screen more realistic, close to nature, so that the image of God closer to the image of the human, it is defined as affirming human rights, against the theocracy of the idea of humanism, it is clearly not convincing. Let's take a look at what the Bible says, chapter 26 of Genesis, "God says," We will build people according to our image, in our style. " We can infer from this that the Bible says God is just like a man.

In his book, Aesthetics, Hegel begins with the theory that "natural beauty is useless and the artist is the spokesperson of God". Finch described painting as "the grandson of God", in his comparison of painting and poetry, he thought that poetry contained ethical philosophy, while painting studied natural philosophy. If the poem describes the spiritual activity, the painting studies is the spiritual activity reflected in the human dynamics.

The art of European renaissance is a better carrier and medium for us to understand the essence of traditional Western thought and culture, and it should not be regarded as a work produced under the western religious superstition, nor should it be simply regarded as the reflection of spirit on material progress during the change of social system in history. Otherwise we would wear tinted glasses to see these important works of art. Our art creators are also apt to be misled into interpreting the heteronomy of artistic creation.

The medieval art craftsman model is a sketch or engraving set specially designed for the artist to use as a model. Medieval model books include common patterns, such as human bodies and animals, flowers, etc., which are used by painters, sculptors and artisans. Leonardo da Vinci has given posterity such advice: "If the painter to other people's painting as the criterion, they can only draw ordinary works." If he is willing to learn from nature, he can achieve excellent results. It can be seen from the Roman paintings. They are so rife with plagiarism that art is declining, and generation is inferior. It was not satisfied to imitate his teacher, Chimabue, until the Florentine people Giotto out. Giotto was born in a mountainous area, where only animals such as goats were haunted. But naturally he led him to art, and he began to draw on the rocks the dynamics of the goats he was watching, and then to depict all the animals that could be seen in the mountain village, which, after years of study, surpassed not only the contemporary painters, but also all the painters of the last few centuries. But later, people specialize in copying the painting, painting art again decline, and declining. Gombrich in the history of Art: "It was in 13th century that artists sometimes put aside their models to show what they were interested in, and it's hard for us to imagine what that means today." "These two places are all about throwing away the model and showing what?" In a word, interested in nature. As a result, we can see that the Renaissance art works and the artist's attitude towards nature is inseparable.

Humanist background, freedom, equality, dignity, noble person.   The term "humanism" is also humanitarian in English, humanism, the meaning of human literature is that the West refers to the social value orientation tends to the human personality concern, emphasizing the maintenance of human dignity, advocating tolerance, against violence, advocating freedom of equality and self-worth embodies a philosophical trend of thought and world view. Humanistic spirit is not only the banner of art, but also the birthmark and social instinct of the birth of science.

Renaissance artists are often thankful for the great nature and humanity of God's creation, and the positive teachings of the Bible's teachings "God Loves the World" and "God Is Love".

The artistic philosophy of the Renaissance is "God" rather than "godless", and the essence of humanism in the Renaissance is the valuable thought of human beings to explore the meaning of life. From the works of the Renaissance, it was clearly marked with a "God", during which the worship of God shifted from the church to nature. So what does an artist think of the connection between nature and God? Leonardo da Vinci has made such a treatise: "There are a number of fools in the Fool, and constantly deceive themselves and deceive people more bullying less." They accuse painters of observing and concentrating on festivals in order to understand the shape of the universe. Let those judges shut up! For this is the way to learn to create the creator of the Beautiful things, to love the great creator. In fact, Love is born with a great understanding of what you love, and if you don't know it, you love less and you don't love it. Leonardo da Vinci thought that painting was the only imitation of all the visible things in nature. In this passage we can see clearly that the artist sees nature as a way to understand and worship the creator, and is awed by the two, and says that painting is a science and a legitimate daughter of nature.

A basic aspect of the Renaissance, when thinkers from this aspect of the people back into the natural and historical world, and in this perspective to explain people. In this sense, humanism is one of the basic conditions of the scientific revolution in the 17th century, so it is also a condition of the birth of "scientism" to some extent. Therefore, the author thinks that for the Western people, Christianity and the Bible play an important role in the popularization of ideology and culture, then they have the consciousness of humanism. From here we find that religious beliefs and humanistic culture are of common significance, humanism is the spiritual core of human development history, and the common and essential cultural demand of human development. In today's world integration, it is of great significance for the cultural exchange of all countries and peoples in the world. There are still countless links between humanism and religion as ideologies of two different natures. They support each other, complement each other, influence each other, penetrate each other, and cause you to have me, I have you. That is to say, this kind of humanism contains the factor and nature of religion, this kind of religion also contains the factor and nature of humanism. Wang Guowei, the founder of modern aesthetics in China, once said, "The philosophy of man and the aspiration of art, truth also." Truth is the truth of the world, not of the truth. "I very much agree with his view that the common ideal of philosophy and art is to seek the truth, and that the truth belongs to the whole world, and is not a temporary one."

Let's be clear, religion and belief are two concepts. Religion is the form of man, Faith is "law", "Tao", is truth. Religion is a form in which people are made on the basis of these reasons to facilitate people to pay attention to the practice. The decay of Christianity and Taoism does not represent the decay of Jesus and Laozi. During the Renaissance, people began to question the rights of religion, questioning whether they were the voice of God, and people began to find that the injustice and irrationality of religious rights were against God's will. They have their own way of worshipping God and have a more accurate understanding of the biblical teachings. It is not necessarily necessary to express the worship of God through the Pope and the pontiff. But we can find that the Renaissance artists are religious, and pious, otherwise it is against the will, it is impossible to give a person a sacred eternal power. Artists just want to find people and God, between man and nature an ideal state, advocating humanity, also advocating divinity, advocating human rights to oppose the rights of religion, rather than against God, I think at least in the Renaissance this period is probably still such a state.

The purpose of this paper is to point out that the Renaissance artists are devout believers. This point is of great influence and effect for artists to create such artistic products. Belief and morals have important influence on art, faith has important influence on morality, so the influence of belief on art is very important. Faith is very important to the artist, and it is very important for the performance of "truth, goodness and beauty". Many people like Tibetan Tibetan people, think they are beautiful, even more beautiful than the Tibetan scenery is actually favored their beliefs behind, feel very holy, although the face is black, but the soul of clean. We should also aim for artistic creation. Whatever form, content and subject matter, there should be a noble and holy spiritual quality behind the artwork.

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