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Paper代写:Cultural differences between Chinese and western magical movies

2017-10-11 | 来源:51due教员组 | 类别:Paper代写范文

下面为大家整理一篇优秀的paper代写范文- Cultural differences between Chinese and western magical movies,供大家参考学习,这篇论文讨论了中西方魔幻电影的文化差异。21世纪的到来,让魔幻电影的发展进入了空前繁荣的时期。对比中西方魔幻电影,其最大的不同就是文化差异了。中西方魔幻电影的差异表现在它们二者的文本基础上。中国的魔幻电影史,其文本基础比较纯粹,多选自中国自古流传下来的神话传说、神鬼志怪小说或民间传说。而西方魔幻电影的文本基础比起中国要复杂得多。好莱坞魔幻电影喜欢借鉴神话和宗教题材,因此在西方魔幻电影中希腊神话、北欧神话等神话故事和基督教等宗教故事比比皆是。

western magical movies,魔幻电影,论文代写,essay代写,paper代写

Since entering the new century, the Western Magic film, represented by "Harry Potter" series and "Lord of the Rings", has won a good reputation and a double harvest in the film market. This magic craze later also led to China's magic film, "The Painted" series and "West Tour ·" The success of the Magic film has made people see both the hope of Chinese magic movies, but also found a lot of deficiencies. Therefore, through the comparison of text, background, theme, stunt and so on, it is helpful to understand the differences between Chinese and western magical movies, especially cultural differences, and to take a healthy sustainable development path.

Since 21st century, the development of Magic film has entered an era of unprecedented prosperity. The Western Magic film, represented by Harry Potter and The Lord of the Rings, has been pouring into the Chinese film market, creating a box office myth and winning acclaim from Chinese audiences and critics. However, compared with the Western Magic film's applause and the popular, China's Magic film development is not smooth sailing. In recent more than 10 years, from the "Promise" "New Shushan Swordsman" fiasco to the recent "Painted" series, "West Tour ·" The success of the Chinese magic film in the exploration of difficult progress. Therefore, to understand the differences between Chinese and western magical films, especially cultural differences, will help China to embark on a benign and healthy path of sustainable development.

The differences between the Chinese and Western magical films are first shown on the basis of their text. Throughout China's history of Magic film, its textual basis is relatively pure, and more selected from the ancient Chinese myths and legends, ghosts and strange novels or folklore. such as the Ming Dynasty writer En's "Journey to the West", from the early 1920s to the big screen to the beginning of 2013, "westward Tour · Even in the United States version of "Kung Fu King" also borrowed from the Sun Wukong this classic image. Compared with the long supernatural novel such as Journey to the West, the Qing Pu songling's "Liao Zhai Zhi" is more popular with writers and directors. "Qian Woman Ghost" series and "painted" series of success of the Chinese magic film into the development of a small climax. In addition, Chinese folklore is also a regular on the screen. such as China's four folk legends of the "White Snake biography" was many times moved to the big screen, by its adaptation of "Snake" "White Snake Legends" and other films also received great attention.

The textual basis of Western magical movies is much more complicated than that of China. Hollywood Magic movies like to learn from myths and religious themes. However, the short history of the United States makes it lack of native mythology, so it is ubiquitous in western magical movies such as Greek mythology, Nordic mythology, Egyptian mythology, Mayan mythology and other religious stories such as Christianity and Judaism. With the progress of film technology, the 20th century fantasy novel has become a great love of Hollywood writers. As one of the masterpieces of the Western Magic film, The Lord of the Rings has successfully moved the vast aerial world depicted in the original and many of the creatures in it, in the eyes of the world audience. The "Harry Potter" series, launched at the same time, is also popular with fans around the world.

The differences between the texts of the Chinese and Western magical films also contributed to the difference in their story backgrounds. Chinese myths and legends and novels have many realistic backgrounds and places, and often interspersed with real people in history. Therefore, the Chinese magic film adapted from the supernatural novels is also more based on the secular. such as "Journey to the West" occurred in the Tang Dynasty, and the story of the Tang's monk and so on is also the Chinese history of the true appearance of the legendary character; "Liao Zhai Zhi ji" Although did not specify the story of the dynasty, but in the birth of the characters are very detailed introduction, such as "Xiaoqian" in the Ning is Zhejiang people, "painted" in the Mr. Wang is Shanxi people and so on Four folk legends of the background is very clear, "Meng" occurred in the Qin Dynasty, "Liang Zhu" appeared in the Jin, "Cowherd" is the Northern and Southern dynasties, "White Snake Biography" originated in the Song Dynasty. The reason is that the main role of Chinese supernatural novels is to take the opportunity to allegory the world, so it is necessary to clarify the cause and effect of the time, place and story.

Unlike Chinese magic movies, which are built on the secular world, Western fantasy movies prefer the sky. First, fantasy novels mostly occur in the aerial world. The fantasy world is essentially an imaginary world based on magic or other supernatural forces, so it is a common practice for the author to invent a world as the story stage of a fantasy novel. The story of The Lord of the Rings is in the Middle Earth, and the Chronicles of Narnia are the background of Narnia. In addition to the background of the aerial story, the author will create their special talents for the Non-human intelligent creatures or races appearing in fantasy novels, the Branches of society, history, culture, and evolution, such as elves, dwarves, and orcs, and, in order to avoid the trouble of alluding to the reality of religion, the author even needs a fabricated myth and religious system. Second, from the myth of the Western fantasy film, sometimes can not explain the time and place. The myths and legends involved in Western magic movies come from many countries and nationalities, some myths are oral literature for a long time, even in the process of inheritance, it is difficult to connect with the real history. It is not surprising, therefore, that the strange phenomena of the Greek and Nordic mythology that the gods have spoken fluent English have appeared on the screen. This also shows from a side that the Western Magic film in the creation of history of the vacant.

In addition to the differences between the text and the background, the themes of the western and eastern magical movies vary. The current Chinese magic movie tends to love the theme. In many subjects, the four great folk legends of ancient China are love stories, so the film adapted by them has no suspense to love as the theme. such as "White Snake biography" for the prototype adaptation of the film "Snake" and "White Snake Legends." Some films borrowed from the original shell, weakening the original allegorical meaning, in fact, completely subvert the original plot, creating a new story content. such as the film "painted" series will be the original version of Mr. Wang, female ghosts, Chen's very simple triangular relationship extended out, through the creation of the character, highlighting between people, demon and demon, between the human and demon complex love and hate entanglement; Stephen Chow's "West Tour" series weakens the original story of the Four disciples, With the supreme treasure and the Purple Chardonnay Fairy's love as the theme, is the typical love story which wears the magical cloak.

Western Fantasy films pay more attention to the messianic personal values and the heroism of small groups, mostly depicting the legendary growth stories of certain heroes in the context of war, race or religious disputes. In Western magic movies, the most attractive is the heroic adventure: the protagonist of the film is mostly at the beginning of the daily life is not outstanding little people, in the fantasy world has supernatural ability, and then through a lot of danger, to achieve a decisive victory, and in the process to complete the search and self salvation, Finally back to the real world. Harry Potter and the Jackson of Jackson and the Thief of God's fire are all the heroes of the hero's growth theme.

If the text and the theme are the inherent differences between the Chinese and western magical movies, then the movie props and weapons are the external differences. Magic Movies Attract viewers in addition to the fantasy realm and characters, there are gorgeous spells and physique weapons. Because China has a long history, so in the "Shan" "Search God" "Journey to the West" and other myths about the god of the weapon record far beyond the western. In addition to the legendary legend of the God Soldier, the Oriental Magic film in the weapon innovation also spared no effort, such as "Shushan biography" appeared in the Sun and moon treasure wheel. There are two main features of the weapons in Chinese magic Movies: First, the most powerful weapon for the holder is tailor-made, often has the spirit, will choose the Lord and Habitat, and will grow along with the master, finally reached the "human-device Unity" realm. In other words, the soldier is not just a weapon, but more like a friend. This is because the Chinese classical aesthetics pursues the harmony between man and nature, "man" is the core, "thing" is a spiritual "human" "thing". Therefore, the "human-device Oneness" of the weapon and the Master in Chinese magic film reproduces the ultimate state of the unity of Yin and yang in Chinese philosophy. Second, the use of treasures in Chinese magic movies is not rigidly religious and ethnic, and ordinary people can play their great role. Such as "Qian Woman Ghost" in the Taoist Yin can use Buddhist magic weapon, and defenseless scholar Ning can also rely on magic to destroy the old Black Mountain demon. Unlike many ancient deities in the east, many of the weapons in Western magic movies are familiar to people in their daily lives, and the holders need a lot of practice to master them. Such as the Magic book in Harry Potter, magic wand and flying tools broom. Although the West is also the legend of the soldiers, but basically it is more important to the strength of the people themselves. such as the Dragon Knight in the Dragon Knight Eragon, even the ordinary sword, as long as he can give the Dragon magic, can be enemy. In addition, Western magical movies also restrict the use of magical practices and weapons to different races. Generally speaking, the dwarf is strong and good at forging, more use of heavy weapons such as axes, the elf posture Light action quickly, more use of bows and arrows, the Mage is more powerful and weak body, physical offensive and magical power with strong magic wand, magic wand is their best choice.

One of the most fascinating audiences of magic movies is the creation and imagination of the scenes, characters, spells and props that the directors and writers have. However, these fanciful imagination wants to be perfectly present in front of the audience and get everyone's approval, it must be through the ingenious use of film stunts. On this point, China is less than the west. Early Chinese magic movies from the fight style and stunt more with the characteristics of martial arts films. In the treatment of special effects, a part of the film to highlight the dazzling effects, but weakened the story of the film, such as "New Shushan Swordsman", while others focus on the storyline, special effects, such as the 1987 edition of the "Qian Nu Ghost." Into the new century, China's film stunt technology has made great progress. such as "Painted 2" in the Fox demon and princess two degrees to change the skin of the lens to impress the audience. At the same time, people also see the gap between the domestic and the West. Therefore, on the one hand to strengthen technological innovation and self-development, on the other hand, the use of Hollywood technical force is also a good choice.

The development of Western Magic film is inseparable from the development of computer digital stunt technology. The use of special effects to the maximum realistic presentation of the film want to express all kinds of absurd imagination. such as the "Harry Potter" series of Students of the Magic Academy on the broom on the Quidditch game and the magnificent scene of the fighting to dazzle the audience. "Lord of the Rings" series used thousands of special effects lens, fully demonstrated the characteristics of various ethnic communities on the mainland, the battlefield of the magnificent momentum and the treacherous scene in the battle. Although the stunts of Western magical films have grown quite mature, they have not stalled. The production of each blockbuster will be accompanied by the development of many new software. The new software is used in the production of the next movie, while new and better software is developed. In other words, the audience will never be sure which movie has the best effect, and everyone's expectation of the movie stunt will always be in the next film. This spirit of constant exploration and innovation is exactly what Chinese magic movies want to catch up with the West.

In short, through the film text, background, theme, props and special effects, and other aspects of the comparison, we deepened the understanding of the nature of Magic film, saw the Chinese and Western Magic film in the cultural differences, so that the future development of China's magic film has a clearer understanding. From the recent several more successful domestic films can be seen, want to do a good job in China's magic film, we must do the following: first, to establish a correct "play consciousness" and "cultural view." At the same time, we should pay attention to the cultural and narrative function of the film, and pay attention to the audience's appreciation and discernment to prevent the visual spectacle of the movie and the emptiness of the story. Second, establish a good "market view", that is, to find the market positioning of the film, to ensure the sustainable development of the film market. Third, the continuous innovation of film stunt technology, in the use of Hollywood technical force, while strengthening technological innovation and independent development.

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