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Paper代写:The Printmaking art

2017-10-10 | 来源:51due教员组 | 类别:Paper代写范文

下面为大家整理一篇优秀的paper代写范文- The Printmaking art,供大家参考学习,这篇论文讨论了版画艺术。版画起初是作为文化传播的一种重要工具,但是随着艺术的发展,成为了一门独立的艺术。版画在当代艺术中存在的意义与价值,延续以及发展,还在于艺术家能否通过版画创作为当代艺术提供富有启示性的思维,以及以版画形式呈现的图像,能否鲜明而充分地表达当代生活的经验及文化感受力,这是版画创作的根本问题,也是所有艺术创作的根本问题。

Printmaking art,版画艺术,论文代写,essay代写,paper代写

Engraving in China has a very long history, at first as a cultural dissemination of an important tool, but with the development of art, has become an independent art, which is now so-called printmaking, creative printmaking. The significance and value of printmaking in contemporary art, continuation and development, but also whether the artist can through the printmaking creation for the contemporary art to provide a revelatory thinking, as well as the images presented in the form of printmaking, whether the vivid and full expression of contemporary life experience and cultural sensibility, which is the fundamental problem of printmaking, is also the fundamental problem of all artistic creation.

Engraving in China has a very long history, at first as a cultural dissemination of an important tool, but with the development of art, has become an independent art, which is now so-called printmaking, creative printmaking. In the long history of the long river, this art form, continuously formed its own unique creation value, the creation of printmaking art not only embodies the integration with the traditional culture, but also shows the reference and exchange of Western culture, with the progress of science and technology, so that the present print creation more scientific expression; At the same time, the creation value of printmaking, It is of great significance to show the criticism and reflection of modern print art creation and to exert more powerful practical significance, of course, because of historicity, giving print creation based on the background of the meaning of the Times, in the whole art history.

Under the present market economy, in view of the current situation of the development of printmaking in Sichuan, we can see some basic situations of the development of printmaking art in China nowadays. From the point of view of creators and practitioners, this paper analyzes and studies the history and development foreground of China's printmaking art. In the history of Chinese printmaking art, the general can be divided into three orgasms.

The first is the development of woodblock engraving in the Tang Dynasty. At that time, because of the rapid development of the printing industry, so that all aspects of society closely integrated, the relevant industries fully contact. Printing is actually the development of maximizing the use of woodcut reproduction features. The wood description is also used throughout the printing industry, so that the social needs and self-development, forming a unique art form.

Secondly, in the 1930s, Mr. Lu Xun introduced the European creation type prints to China. Since 1931, when Mr. Lu Xun started a new woodcut workshop in Shanghai, the emerging art of printmaking differs from traditional wood carving in China. At that time, the prints can be said to have a strong publicity and inspiration, revolutionary and combat art form. With the significance of the times, and the characteristics of the times, the historical value of the real status of feedback. However, due to the rough period of war, the poor creation conditions, lack of economic, production time, resulting in a large number of woodcut works for the Times and services. However, as the creation period of the new print, it played an important role in the movement of Chinese art. At the same time, this important role for the later development of printmaking has laid a deep foundation.

The third climax is the creation of new China, the entire Chinese society needs all aspects of the direction of artistic talent. The state has increased its input in the direction of cultural and artistic development. Therefore, the new China's printmaking art with its vigorous development. Again to the contemporary print creation period, the entire art market for the study of printmaking, resulting in a lot of people do not understand prints, do not appreciate prints, not to collect prints. Obviously, the art of printmaking is struggling in the Chinese art market. Although the development of print today is unsatisfactory, but its artistic charm is recognized by the community, the masses of love.

No matter how today's print is developed, how to define it will never change its existence as an independent art. It is no longer as usual to pursue the accuracy of printing, to pursue high-speed, reproduction of the production, but the artist and the creative body common characteristics. This feature is unpredictable, with a certain degree of instability and movement. Some accidental factors, in the current print creation can be independent development, everything is possible. Can no longer simply be involved in the knife, in the color of participation. Today's comprehensive version can not use the entity version of the existence of the form, with the computer combined with print features to create, so to master the techniques of printmaking, printmaking creative ideas, and even the spirit of the pursuit of printmaking, in order to enter the core area of printmaking, to enter the print creation, the core area. It is because of this unique art category, so that the print has its own unique charm, can be with the Chinese painting, oil painting, and even sculpture and other artistic forms to keep abreast.

With the rapid development of information in the digital age, the original method of printmaking has been improved, and new breakthroughs have been made, from the original print concept to a space printmaking concept. It is possible to use a large number of traditional printmaking concepts to carry out contemporary material practice as well as moral transformation. It can be seen that the transformation of printmaking is very rich because of the different contexts. The impetus that this transformation brings to our art world is very obvious. This positive is not fixed in a mode to render its state. In fact, it shows that contemporary world prints are in a state of development upward.

In the print style, the current printmaking industry is in a pluralistic development era. The intersection between print and other art or the version is a phenomenon that is more prominent. Before the most contact is woodcut board painting, color watermarking and so on, but into the new era, such as copper, stone, screen, integrated version of the version of the cross, is also very characteristic. Print art and decorative art, architectural art may also have cross. Xu Zhong's works of printmaking are directly fused with architectural art. Xu Quan the print creation and woodcarving art to cross and so on. In the creative content of printmaking, the relationship between art and life is inseparable. Art and life can be in an indirect form, in an abstract way, or in a direct way. With the national strength of the whole country strong, China's cultural awareness of the enhancement, printmaking art has also incorporated many traditional Chinese elements.

Creative printmaking is no longer the unique skill and means of a version painter, and other artists are involved. Contemporary prints, the way to draw a kind of technology, media to locate or limit the painter's identity can not adapt to the contemporary art issues, printmaking is only an artist used for artistic creation of a medium and technology. Printmaking will extend more possibilities in contemporary art when print creation is no longer limited to technology as a threshold. Determine the significance and value of printmaking in contemporary art, continuation and development, but also whether the artist can through the printmaking creation for the contemporary art to provide a revelatory thinking, as well as the images presented in the form of printmaking, whether the vivid and full expression of contemporary life experience and cultural sensibility, which is the fundamental problem of printmaking, is also the fundamental problem of all artistic creation.

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