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Paper代写:The characteristics of Wilfred Owen War poetry

2017-10-09 | 来源:51due教员组 | 类别:Paper代写范文

下面为大家整理一篇优秀的paper代写范文- The characteristics of Wilfred Owen War poetry,供大家参考学习,这篇论文讨论了威尔弗雷德·欧文战争诗歌特点。英国诗人威尔弗雷德欧文是第一次世界大战期间最为杰出的战壕诗人,被赞誉为20世纪“最有希望的诗人”。他的反战诗歌以描绘细节见长,画面感强,直指战争的残忍无情,同时也辛辣地讽刺发动战争的统治阶级不顾人民疾苦,悍然发动无谓的帝国主义战争。

War poetry,威尔弗雷德·欧文,英国论文代写,论文代写,paper代写

Owen is an outstanding poet in the First World War. His anti-war poetry to depict the details of good, strong picture, directed at the brutal war ruthless, but also acrimony to wage the ruling class in defiance of the people's sufferings, flagrantly launched the senseless imperialist war. This paper tries to analyze the characteristics of Owen's Representative 10 war poems, in order to lay a foundation for a deeper study of Owen's war poetry in China.

The English poet Owen was the most outstanding trench poet during World War I and was praised as the "most hopeful poet" of the 20th century. When the First World War broke out, he joined the army, witnessed the war, wrote the "Die for the country" and other poems. Then he was hospitalized with injury and met the famous poet Chasson. He went to war again in 1917. In his letter to his mother, he said, "I will do my duty as an officer ... Direct leadership of these soldiers, but also can indirectly feel their pain ... Write these down and pray for them. 1918 he was shot and died at the age of 26. In 1985, Owen, one of the 16 "first-World Poets", was inscribed on the stone tablets of the abbey's poet's horn.

Unlike the poets of Thomas Hardy, Owen himself participated in the war. His realistic war poems depict the horror of war, and have a direct effect on people's hearts. He wrote about his experience as a soldier and described the traumatic experiences of the military in the battlefield. His poems are full of detail, "vivid and often frightening". His poems represent a generation of voices, a message of discontent against British imperialism, resentment of the instigators of war, and, more importantly, his abhorrence of war. There are few studies on Owen's poetry in China, this paper tries to analyze the characteristics of his poems in order to provide new ideas and new perspectives for appreciating Owen's poems.

The protagonist of Owen's poetry often focuses on a soldier on the battlefield, with a great deal of detail or dramatic plots to satirize the ruling class of the war, highlighting the relentless war. Owen has a visual impact in the depiction of detail, such as in the poem "Die For his country":

The white eyes writhing and watch

His hanging face, like a devil ' s sick of sin,

If you are could hear, at every jolt, the blood

Come gargling from the froth-corrupted lungs

The poem depicts a soldier in the gas in the picture, pale, cud Splash, the body festering, extremely terrible. In the latter, Owen affectionately referred to the ruling class that incited the war as a friend and pointed out that they had seen such a scene, asking how they could be enthusiastic, encouraging people to join the army, whitewashing the brutality of war, and making children sing "for their country". Owen tried to bring the battlefield images into the minds of people to inspire anti-war sentiments.

In addition, Owen also in a number of poems to depict the nightmare vividly. As in "Strange Encounters", Owen depicts the nightmare of soldiers in the Western Front, he met the enemy he killed, but the other side repeatedly called himself "my friend." He told Owen there was nothing to grieve about, but "unfinished life" was a pity. The enemy has also mentioned that some truths have not yet been spoken, and this implies that the ruthlessness of war has not yet been known, so he feared that "the facts in the war were hidden and compassion evaporated." This nightmare is a warning that people should be more aware of the nature of war and are acutely aware of the "evaporation" of compassion and compassion in people's hearts.

Owen has sometimes taken dramatic steps in his poems, which have had an unexpected but thought-provoking effect. As in "Exposure", he describes the Western front of the soldiers have been shivering, through the expression of the way the soldiers have been unable to think continuously. As the weather grew colder, the soldiers had only rudimentary senses. The fifth verse depicts soldiers experiencing a state of proximity to a coma, dreaming of their own death to heaven, no war, no flowers, and the sixth verse wrote that their souls returned home, but found their home cold and rats scurrying. In this poem, Owen described the soldiers waiting for the battle and shivering State of the extreme, but the drama is "nothing happened." This is undoubtedly a great taunt, the soldiers have been cold to numb but nothing happened, but the poor natural condition of the soldiers to destroy the body and spirit.

In general, Owen's war poems are often combined with their own personal experience, each poem is a memory, the realism writing is full of irony. In "Youth Funeral Fu", the tribute to the dead soldiers was not a salute, but a barrage of gunfire. In numbness, the soldiers were cold-blooded and heartless, without compassion and compassion, and they were happy. In vain, the soldiers wake up every morning in the sun, and today the officers send some dead soldiers to the sun, but the sun never wakes them up again. With a sincere depiction of how ruthless the war is, Owen has transformed the soldiers into a callous, and, more importantly, he has ridiculed and condemned the perpetrators of all this, the ruling class that waged the war.

In the preface to Owen's poetry, Owen said, "The book's theme is the war and the regret of the war." Poetry is also in regret. "Owen's poetry tends to show a sense of regret with words and rhyme, and this deliberate dissonance can be meaningful and thoughtful." In "exposure", he chose a series of words rich in vowels, the first sentence, "in the merciless iced East winds", a list of vowels, to be read around the mouth, creating a feeling of discomfort, this feeling is silhouetted against the poem to highlight the biting sensation of the cold wind cold. Similarly, in the "Youth Funeral Fu", the author in the second stanza selected double vowels or long vowels words, such as speed, shine, flowers, minds and so on, deliberately slow down the rhythm of the poem, to a certain extent, symbolizes the people's thoughts around, play the role of rendering artistic conception. On the tail rhyme, Owen had deliberately left a regret in the poem to show a regret. As in "Farewell":

Shall They return to beatings of bells

In Wild trainloads? A few, a few, too few for drums and yells,

May "Back, silent, to still village wells

Up Half-known roads.

"Farewell" A poem depicts the villagers to recruit the recruits to see off, the recruits filled with smiles, but unfortunately they do not know how fierce the situation, but also do not know their fate. At the end of the poem, Roads and trainloads rhyme, but trainloads is a synthetic noun, roads in front of half-known this synthetic adjective, transferred the focus of the tail rhyme, to ensure that the end of the poem is not natural and complete. Those who believed in the army but knew nothing about the war and the end of the poem took care of the regret.

Owen also often introduces onomatopoeia or verbs in the present participle to render the effect. In the Sentinel, Owen portrays a soldier who fell into a trench when he was shot, a series of sounds "Thud!" Flump! Thud! "Thud" stresses the sound of the rolling state, while "Flump" is the sound of "bang" on the ground, depicting the lifelike scenes of the soldiers tumbling down the trenches. In the second verse of "Die for the country" someone shouted "poisonous gas", "fumbling", "yelling", "stumbling", "floundering" and "drowning", and so on. The continuity and urgency of the action, and then someone was shot. Guttering, choking, drowning "then inscribed the soldier's sufferings.

Another feature of Owen's poetry is the use of half rhyme, which is harsh to read. As in "Strange Encounters":

Through Granites which Titanic Wars had groined.

Accompanying also there encumbered sleepers groaned.

It was a jarring match between him and the dead soldier. Similarly, in vain, "know" and "now", "Once" and "France", in "numbness", "rid" and "red", "over" and "ever" and so on. Owen's seemingly casual rhyme often conveys a disharmony, and it is not only the disharmony of the rhyme, but also the bizarre content of the poem, which often makes people ponder the meaning behind the poetry.

Aside from rhetorical rhetoric and structural rhetoric, Owen's poetry is more figurative and anthropomorphic in the rhetorical lattices of words. First of all, Owen's poetry with similes, rather than metaphors, the former is relatively intuitive, more screen sense, easy to trigger association and resonance. Take "Die for the country" for example:

Bent double, like old beggars under sacks,

Knock-kneed, coughing like hags, we cursed through sludge.

In this sentence, the soldiers were rather worn out by the soldiers than the old beggars dressed in linen. Owen also likened the image of the Witch of Macbeth to the old witch who spit. The two similes are closer to life, showing the soldiers tired on the way, easy to evoke association, resonate. In "exposure", the poet compared the distant shooting sound to gossip, let a person further think about the meaning of war. In the Sentinel, the poet likened the swollen eyes of the wounded soldier to the squid, giving the impression of a soldier's injury. In arms and boys, the poet likens the blue light of his steel kitchen to a madman's mad look. In short, Owen is adept at making similes, and often more close to life, can better make people feel the cruelty of war.

Poets are also adept at using personification, often with ironic effects. In the final laugh, the poet personified the weapon, killing the last sound of a gun to a weapon of laughter:

The Bullets chirped-in vain! Vain! Vain!

machine-guns Chuckled-tut-tut! Tut-tut!

And the big Gun guffawed.

The last laughter of the three weapons was the sound of gunfire, comparing the killing of gunshots to laughter as a mockery of war. Similarly, in "Youth Funeral Fu", the poet also personified the gun, think they are full of anger: only the monstrous anger of the guns. It responds to the above-mentioned "soldiers die like cattle, what is the song?" This kind of slogan answer will drive people's anti-war sentiment. In "Farewell": Owen described the signal no move, nodded. This implied that the ruling class nodded to them, but the expression was silent and inattentive. The poet, in turn, mocks the ruling classes that mercilessly waged war, without any concern for the safety of these soldiers. In "Weapons and boys", the bullets to the boy's mood has a single bell, the cartridge is a sharp tooth, which implies the war scene of death, depicting the war of ruthlessness and terror.

Owen's anti-war poetry "is often thought to have surpassed Nichols, Grefoss, or even sand", and his strokes were "affectionate, rich in detail, vivid in image", and in the field of World War I "few people can match it." Owen didn't live long enough, but he was "deep". His poems represent a generation of voices, a message of disgust at the ruling class that waged the war and an abhorrence of war. At present, the world is not peaceful, local conflicts occur, and Owen's anti-war poetry may give us more insight. In short, Owen is a bright star in war poetry, and his poetry deserves more attention and research from Chinese scholars.

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