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英国essay代写:Characteristics of film art

2019-10-19 | 来源:51Due教员组 | 类别:Essay代写范文

本篇essay代写- Characteristics of film art讨论了电影艺术学的特性。电影是一种媒介,是一种作为艺术的媒介,而且由于它的媒介特点,还是一种特殊的艺术媒介。电影艺术学的主要任务就是研究电影作为一种特殊的艺术媒介的艺术表现力问题。尽管电影的艺术特性在电影的发展过程中表现为一个持续不断的过程,但它还是显现出了阶段性。本篇essay代写51due代写平台整理,供大家参考阅读。

film art,电影艺术学,essay代写,代写,paper代写

From the perspective of the historical development of film studies, film art is the most important part of film studies. As a relatively independent film art, it is different from other art forms and has some outstanding features.

Film is a medium, a medium as art, and because of its media characteristics. As a special art medium, the main task of film art is to study the artistic expression of film as a special art medium.

Learning in motion picture film once occupied an outstanding position in many disciplines, namely the film as an art medium properties obviously than as the activities of human society, such as political, economic and cultural attributes is much more prominent, the film as an art of the 20th century, in a short time in one hundred, has experienced a vision of socialism, montage, long, stream of consciousness and so on a series of exploration stage. Although the artistic characteristic of the film is a continuous process in the development of the film, it still shows the stage nature. In the early stage of the birth of film, the combination of montage was regarded as a special property of film, and it entered into the creation of film art and dominated for quite a long time. The montage combination has produced the motion-picture technique which is quite different from other artistic expressions in terms of releasing spiritual power. This makes it by far the foremost of the cinematic arts. As described by eisenstein, the power of montage lies in the fact that it brings the audience's emotions and reason into the creation process, so that the audience has to go through the same creation path that the author experienced when creating images. The audience should not only see the elements that make up the works, but also experience the dynamic process of the creation and establishment of the images just as the author experienced the images.

As the creators explore further. The expressive characteristics of the film art are constantly excavated, enriched and utilized. When people focus on vision began to fall when the movie camera's internal mechanism, which is long aesthetic exploration of and rise, at the same time also leads to further extend the movie art characteristics itself, namely research and digging with physical reality record representation contained in the image itself of the poetic and display, and not just focus on just through two originally their relatively independent image precess set generated by a certain aesthetic connotation, the long aesthetic feature of movie art derived by ontology more simplistic, also more cinematic, more "figurative" lack of artificial trace, This point plays an important role in discovering and expressing the inner poetic beauty of the film itself. But movies go to the current stage of development, whether from the external environment or from the perspective of the creation mechanism of internal has formed the scale, the film wasn't into separate neither consider not only the single lens internal link and the reality of the recovery type display, but follow one's inclinations underground consciousness and convey the moment's but with recapitulate the so-called "stream of consciousness" fragment phase. And you can see that. The main aspects of today's film art exploration are the limitations of montage and long lens, as well as the possibility of exploring the potential features of film art.

Is the most basic units of natural film ideographic, when the lens only as independent ideographic system, its limitations is that it has the potential to make the scene in the film art system of relatively independent ideographic, SMS function gradually atrophic, that must pass between the camera and lens montage to exert its function but on the other hand, it may enable the people to naturally in a separate ideographic aspects will film and other art forms of ideographic units to area allow such as classical painting with similar function in the film footage of record, paintings in picture composition, color is applied, The control of light, light and shadow and other aspects of the application of ideographic elements are similar to the recording of the film lens, but the difference is immediately obvious compared with the dynamic recording features of the film lens and the function of realistic copying. On the one hand, the documentary function of the lens can do its best in the aspect of single-shot ideograph. On the other hand, the film lens can borrow the painting color and other expressive elements. Ideographic function to strengthen one's ideographic system. In addition, the immediacy of the drama can be used to consciously make the prearrangement and reconstruction of the scene so as to further express it. At the same time, the organic application of other features of the film, such as the scene and the motion mode of the camera, greatly increases the expressiveness of a single shot. It is clear that painting does not have the more developed means of recording visual art like film.

As an important part of film art creation, editing is undoubtedly an artistic re-creation. At the beginning of the film's birth, film editing was only used as a technical means to straighten out the narrative and logical relationship between the film shots and the shots, to make the montage narrative smooth and to enable the space-time system in the film to coordinate itself. With the rapid development of film techniques, such as overprinting, fade-in, fade-out and superposition, etc. These changes make the creation grammar of film editing more and more abundant. Editing not only determines the length of a shot, the way of switching, etc., but also determines the delivery of narrative rhythm and lyrical atmosphere from a paragraph to a whole film. Clip creation also objectively constituted the montage between paragraphs and paragraphs, such as parallel montage, cross montage influence each other, producing a paragraph itself and the rhythm of the contrast between paragraphs and paragraphs, film clips created an excellent artistic sentiment, in a sense, the rhythm is the lifeline of artistic spirit especially in film art creation. The film montage paragraphs are finished by the editor in the link of strength, location, length and the way of participation, etc. Sometimes, in order to achieve a certain expected effect, the editors would change the law of film visual reduction with one-fourth of the painting speed, and adopt the method of "digging", "adding" or consciously "wrong" to achieve some rhythm contrast between shots or inside shots, so as to create some extraordinary spiritual meaning. The skillful use of editing techniques may lead to the expression of rhythmic poetry and inner situation, which is permeated in the smooth and hot processing. It is in the lens and lens paragraph and paragraph and even the inside of the lens of the fit.

The choice of the scene of the film is an important aspect of the artistic expression of the film, ranging from far and near, from big to small, from macro to micro. The scene of the film transmits different degrees of emotional connotation through the quantitative reflection of the image format on the screen, and the comparison of forces reflected in different quantification implies the inner activity and plot direction of the characters.

Simply speaking, scene is only a control standard for the lens width, and there are mainly close-up, close shot, middle shot and distant shot. There are also those who see close shots as a separate kind. Especially in modern times, the transitional classification standard between panorama and close-up is becoming more and more controversial. For example, in terms of the breadth and imposing manner of the scene, the panorama lens is often the first choice. The power contrast shown by the panoramic lens through a series of effective montage joints often creates a kind of overlooking point for the audience. The emotional impact of this is often quite obvious in the audience's viewing psychology. The special lens obviously has a great advantage in showing the details of things. In the process of the development of the film, JingBie often because of its narrative and plot on the image process of indirect effect under some kind of ignored, embodied in the neglected JingBie itself in the film is bound to have some sort of hinted color and art means, choose JingBie frame size and whether to use zoom lens is just a simple technical operation means, as a result, the audience can see on the screen JingBie tend to lack originality and inner logic of expression.

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