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Essay代写:The artistic conception of sound in the film

2019-10-18 | 来源:51Due教员组 | 类别:Essay代写范文

下面为大家整理一篇优秀的essay代写范文- The artistic conception of sound in the film,供大家参考学习,这篇论文讨论了电影中音响的意境特性。声音的传播比视觉造型的传播更具无限广阔和深远的空间范围。音响元素相对于视觉造型而言是虚的,相对于它所表达的物质而言又是实的。这种虚实一体的特性与电影画面垂直组合而构成一种特殊的时空结构,成为一种另外产生联想与思考、生发电影意境的机制。

Sound in a broad sense refers to all sound forms in films, television or radio. The acoustics referred to in this paper use a narrow sense of the concept of acoustics to be defined: in the art of film and television, in addition to audio language and music, all the sound forms produced by nature and human activities are collectively referred to as "acoustics". We live in an environment full of all kinds of sound, which is one of the necessary conditions to make the material reality and, of course, the picture of the movie realistic. The transmission of sound is omni-directional. We can hear the sound in any direction, but we can still perceive it by hearing when our eyes can't see it. "Chang 'an a piece of month, ten thousand households pound clothing sound" "gusu outside hanshan temple, midnight bell to passenger ship" embodies this truth. Therefore, compared with the transmission of visual modeling, the transmission of sound has an infinite and far-reaching space. With the in-depth development of film audiovisual art, people gradually find that the role of sound in films is not only to increase the sense of reality of the picture or let the audience find the multifaceted sense of the image, but also to create more artistic effects. For example, sound is contributing to the creation of artistic conception in the film. These acoustics element are opposite visual modelling character is empty, opposite the material that expresses at it place character is real. This feature of the integration of the virtual and the real with the picture of the film constitutes a special space-time structure, which becomes a mechanism to generate associations and thoughts and generate the artistic conception of the film.

The way that acoustics builds artistic conception and music differ somewhat. Music for the creation of artistic conception is mainly through the way of lyric rendering to promote the creation of artistic conception. If music is mainly to create "the environment with me", then audio is more to create "the environment without me". We can find from ancient Chinese poetry that the ancients always liked to use natural sound to create artistic conception. For example, ruoye river is an ancient poem of five words created by wang ji, a poet in the southern dynasty. The poem has clear and beautiful prose, harmonious tone, and a quiet and tranquil artistic realm. The essence of the poem is the five or six lines, "cicada noise forest more quiet, birds singing mountain more quiet", the beauty of this sentence is to use "cicada noise" and "birdsong" to background and rendering the quiet forest. This technique of moving and showing quietness gives people a feeling of quiet, quiet and full of vitality, which makes readers feel the poetic and painting meaning and life philosophy from the deep of their hearts. Therefore, it is praised as the swan song by later generations.

This kind of natural sound is reflected in the film works of famous Korean director xu qinhao, which plays a significant role in constructing the artistic conception of his film works. Xu qinhao's film works have been called an Oriental expression by some domestic scholars, and the Oriental charm expressed by this expression is closely related to the director's emphasis on artistic conception. The film death of spring is a typical example of making full use of natural environment sound to create artistic conception. The hero and heroine of this film are set as the staff of the radio station. Collecting all kinds of natural sounds takes up a large proportion of their work tasks. This innate advantage makes the film have many natural sounds to express the artistic conception. For example, in the passage where the hero shang you records the rustle of the wind through the bamboo forest, the natural sound is particularly beautifully handled, and this section presents a gradually stronger state of artistic conception. < / p > < p > at the beginning of listening to the wind blowing bamboo section, shang you and en xiu where the sound of the bamboo forest is still very weak, although two people close their eyes to listen hard, but still did not hear the ideal sound. In the camera picture changes and music background, they finally heard the bamboo forest with the wind swaying issued "shua shua shua" sound. At this time in the picture, the sunny and genial sunshine through the bamboo leaves sparse slit place illuminate down, enxiu enjoy to close their eyes, the audience and the hero and heroine together immersed in this intoxicating mood. The sound produced by the wind blowing the bamboo forest should be said to be the soul part of this paragraph, because the hero and heroine came to collect this wonderful natural sound, and this wonderful natural sound played the effect of creating artistic conception. The paragraph that behind ancient temple listens to snow likewise very well reflected the artistic conception effect that natural acoustics builds. The snow, the temple and the night are all concrete images that can create an artistic conception, but the three together still lack some appeal. The sound of ancient bells jingling in the eaves of the temple perfectly makes up for the lack of image. The ancient bell here is just like the midnight bell of hanshan temple outside gusu city in "maple bridge night park", which not only floats into the ears of the male and female protagonists in the film, but also floats into the hearts of audiences outside the screen. The unique sound image and the beautiful picture of the film create a kind of ethereal and distant artistic conception.

In the world of jia zhangke's films, sound is an art element that cannot be ignored, and the unique treatment of sound elements is one of the most recognizable artistic features of jia zhangke's films. When we appreciate the jia zhangke's film can found him on the living environment of the various sound is particularly interested in, he designed for character lines "precious little word" can be used to describe, cars and motorcycles and horn, loud voices, all kinds of industrial machines roar, cries of street market, the nature of the wind and water, from the loudspeakers broadcast announcement, pop music on the radio and television programs in sound and take turns to bombard the audience's ears. Mr. Jia's approach to ambient sound is unique because few directors fill a movie with ambient noise. Jia zhangke separated these daily ambient sounds and formed another narrative thread parallel to the film image, which can be felt by careful experience. Maybe jia to sound processing has formed a kind of voice in the film aesthetics, it is through this kind of aesthetic he strongly stressed his build tension in the real world, the tension throughout each scene in the movie or in every detail, the formation of jia zhangke "artistic conception" of the beauty of a striking feature. The most typical example is "the good man from the three gorges", in which the ambient sound, or various noises, never stops. These sounds vividly express the rhythm of life in the drastic changes of the city with irregular beats, and are also very important traces of The Times left by the changes of the city, which can be said to be the "rhyme" of the changing times of China.




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