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essay代写-Music and painting

2019-09-30 | 来源:51Due教员组 | 类别:Essay代写范文

本篇essay代写- Music and painting讨论了音乐与绘画。音乐与绘画不属于同一种艺术形式,它们有各自不同的特征与表现手段。但是,它们又同属于“艺术”这一范畴。作为艺术门类的“连理”学科,它们能够视听相通,音画互感。历史上有一些音乐名作直接取材于绘画作品。这类作品的特点是,作曲家完全按照绘画作品来构思音乐创作。在音乐作品和作为构思对象的绘画作品之间有某种直接的关系。听众能够根据标题的提示,通过想象去捕捉某些具体的视觉形象,即具体的画作中所包含的形象。本篇essay代写51due代写平台整理,供大家参考阅读。

Music and painting,音乐与绘画,essay代写,代写,paper代写

Music and painting do not belong to the same art form, they have different characteristics and means of expression. However, they also belong to the category of "art". As a "linking" discipline of art, they can communicate audiovisual, sound and painting each other.

Music belongs to the auditory art, mainly through the sound to express feelings or images, and to elicit the audience in the emotional resonance as their mission. Painting is a visual art, the painter will line, tone and other forms outline a certain figurative or abstract graphics, from the visual to give viewers a strong impression, and cause the reflection of various emotions, aesthetic stimulation. The former appeals to people's auditory sense through sound, while the latter appeals to people's visual sense through lines and colors. It seems that there is no connection between them. However, in real art activities, the so-called picture in music and the sense of music in paintings are often the topics that artists often talk about. For example, when people talk about works of art, they often say that the music sounds like a beautiful landscape, or that the painting is almost as fascinated as music. These descriptions indicate that there is a certain relationship between music and painting, but what exactly is the relationship between music and painting? Specific analysis has the following contents:

As for the painting in music, German music master schumann said a sentence with deep experience: "can we erase the merits of nature and deny that we use the beautiful and magnificent natural scenery in the music? Have we not been told of Italy, of the Alps, of the magnificent sea, of the return of spring and the awakening of the earth? Even those trivial and meaningless phenomena can give music a variable, concrete and visual nature, which makes us not surprised that music can reflect so many things. One composer, for example, told me that when he was working on one of his pieces, he saw a butterfly sitting on a leaf and floating down a stream. This image gave his ditty a peculiar softness and naivete, which produced in the listener an impression in accord with the picture. Schumann this passage tells us vividly, music to sound change things movement, rhythm, lasting appeal, emotional appeal and the subjective feeling of it, to "break a butterfly on a leaf floating down the stream" image, into "abnormal soft and innocence" "tune", make people listen to the song "tune", then in the in the mind "and the picture impressed". It can be said that "there is painting in music and there is joy in painting".

Line can be said to be the most important drawing factor in music. Lines in the music is the embodiment of people imagined in the feelings, we can say that the beautiful melody of music with time to paint brushes in different pitch position out of line, this is indeed a very appropriate analogy, because the melody of music can be embodied in two aspects, namely the time relationship of horizontal and vertical interval relations, both be short of one cannot.

Impressionist composers of the 19th century romantic music style and form of a challenge, think color effects should play a role in music works, in the harmony combination use of all kinds of new sounds and these very complicated chord connection, create a strong color of flashing, like pure color and impressionist paintings. The physicist Newton studied the relationship between the vibration frequency of musical sound and the wavelength of color. From the perspective of physics, he thought that the pitch of "C, D, E, F, G, A and B" in music was equivalent to "red, orange, yellow, green, blue, blue and violet". Bosakot, a famous musician in the 19th century, thinks that clarinet has some correspondence with rose, flute and blue, brass and red. Famous composers mskikosakov and skriabin both believed that tonality was full of painting colors, and it was obvious to match each tonality with specific colors, such as: C major -- white and red; G major -- brown, gold, orange, rose; D major -- yellow; A major -- rose; In E major -- sapphire; B major -- turquoise; In #F major -- gray-green; BD major -- pale purple; BF major -- dull black; In F major -- green.

There are some famous paintings in history that are directly based on paintings. For example, mussorgsky's piano suite "pictures at an exhibition" is the composer's profile of a personal exhibition of his late friend hartmann. Whole song is divided into ten first song, the title of each piece of music is the title of the original painting, were "dwarf", "city", "palace of courtyard in the autumn, and the", "cart", the incubation of young birds dance ", "two jews", "mo, in the market" and "tomb", the cabin, chicken feet, "Kiev door". The characteristic of this type of work is that the composer conceives music compositions entirely in accordance with the paintings. There is a direct relationship between the music work and the painting as the object of conception. Listeners can use their imagination to capture specific visual images, that is, images contained in specific paintings, according to the title. As a result, the audience will listen to its natural cue to follow the title to make associations. The theme of the bass section will remind people of a rich man who is proud and arrogant, while the theme of the high section will remind people of a poor man who is timid and shy, evasive and pitiful. In this way, the audience seems to feel the image in the picture from music. Music has no color and painting has no sound. However, people have to transcend the limitation of material media and engage in artistic creation and appreciation. This paper expounds the mutual synaesthesia between music and painting, the painting factors in music and the music works related to painting, and proves that music and painting have an inseparable and integrated commonality, both of which show the subtle and complex emotional changes in the deep heart of artists and their aesthetic feelings towards objective things. This is why music and painting seem to be two unrelated art, but there is a myriad of relations.

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