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essay代写-"Orlando" by Virginia Woolf

2019-06-10 | 来源:51due教员组 | 类别:Essay代写范文

本篇essay代写- "Orlando" by Virginia Woolf讨论了弗吉尼亚伍尔夫的《奥兰多》。弗吉尼亚伍尔夫的《奥兰多》虽然是一部“传记”,但同时也是一部“反传记”实验之作,它在某种程度上颠覆了英国的传统传记观。在《奥兰多》中,我们可以发现伍尔夫通过对传主身份、线性叙事秩序等传统传记观的调侃和戏拟,以貌似妥协实则抗争的策略大胆实验了“革命”性的新传记。尤其是心灵时间的运用,其对传记叙事模式的影响比对意识流小说的影响更重要,它不仅扰乱了传统传记的线性叙事模式,而且将情感和想象等虚构成分纳入了传记的“事实”范畴。本篇essay代写51due代写平台整理,供大家参考阅读。

Although Virginia Woolf's "Orlando" is a "biography", it is also an "anti-biography" experiment, which overturns the traditional view of British biography to some extent. Analyzing the writing strategies of Orlando, we can find that Woolf boldly experimented with the "revolutionary" new biography by making fun of the traditional biography views, such as the identity of the heir and linear narrative order, with the strategy of seeming to compromise but actually fighting. Especially, the use of mental time has more important influence on the narrative mode of biography than on the novels of stream of consciousness. It not only disrupts the linear narrative mode of traditional biography, but also brings the fictional elements such as emotion and imagination into the category of "fact" of biography.

"Orlando: a biography" is Virginia Woolf's first work entitled "biography". In 1927, when Woolf was at the peak of her writing career, she had just finished her novel to the lighthouse in October. The writing of "Orlando" was so smooth that it was completed in March 1928 and lasted less than half a year. In this biography, Orlando is a young British nobleman, who spent the first 30 years of his life as a man and became a woman after the age of 30. He/she spans four centuries, androgynous and immortal, spanning nearly 400 years from Elizabeth I to queen Victoria. As a young boy, he was favored by queen Elizabeth I. Later, as a diplomat, he went to Turkey. After gender change, marry a woman again, have children. He/she loved nature and poetry. He/she devoted his/her life to writing the great oak tree and became a famous female poet in the Victorian era. However, when "big oak" won the prize, she almost buried it under her beloved big oak tree. "Orlando" sold 8,000 copies in six months, more than twice as many copies as "to the lighthouse" did in the same period, and became Woolf's best-selling book.

As a stream-of-consciousness novelist, Virginia Woolf's achievements in literary creation are generally considered to be mainly reflected in her stream of consciousness novels. But Woolf's exploration of new forms of biography is even more startling. Influenced by her father Leslie Stephen, a famous British biographer in the 19th century, Woolf has read a large number of biographical works since her childhood. On the basis of her familiarity with the traditional forms and methods of writing, she has formed her own unique new view of biography. Woolf's exploration of new forms of biography was partly influenced by the romantic writers' view of biography in the 19th century. At that time, there was a discussion on the biographical literature theory in the British literary circle around James Boswell's Life of Johnson. Romantic writers, represented by John g. Lockhart and Samuel t.coleridge, criticized boswell's fact-based biography, arguing that biographers are not historians. As a literary art, biography should not only focus on the external behavior and objective facts of the subject, but also show the inner emotional world of the characters. In "the art of biography," Woolf argued that biographers should be allowed to base their work on facts and "write as they write a novel." She believes that the new biography should no longer be burdened by the so-called facts of the heir, but should boldly incorporate the elements of fiction and even the imagination and emotion of the biographer, so as to effectively show the personality of the heir and make the biography more real. Orlando is Woolf's writing experiment based on her new view of biography.

Although "Orlando" is a work of biography, it is also a novel experiment in anti-biography. In a letter to her friend, she once talked about writing "Orlando" in a "revolutionary" way. "I suddenly thought of a way to revolutionize biographerwriting overnight," she wrote. So what is this "method"? To analyze the theme of "Orlando, Woolf can be found to take the" revolution "of the biography writing strategy is that traditional biography, external form identity is to support the core elements of traditional biography of clever bait-and-switch, as she wrote in the" Orlando ": a traveler, hiding in his box in the corner a large bundle of contraband, was careless caocao customs officers. "If the zeitgeist had examined the thoughts in her mind, it might have found something very contraband hidden in it, and imposed a heavy fine on her for it. She did it by a few tricks... This shows the spirit of The Times to comply with, can get away with the inspection. This is a subtle trade between writers and the zeitgeist. It is through this strategy of seeming to compromise but actually fighting that Woolf's subversive bargain with the British biographical tradition is accomplished.

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