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英国essay代写:The roots of the British theatre boom

2019-04-20 | 来源:51due教员组 | 类别:Essay代写范文

本篇essay代写- The roots of the British theatre boom讨论了英国戏剧兴盛的根源。英国的文艺复兴从14世纪开始,到16世纪的时候就已经到达了高潮。文艺复兴全面影响着英国社会,鼓舞了社会各个领域的进步,而英国戏剧也受文艺复兴的影响,并在文艺复兴的推动下如日中天。英国戏剧的发展也对文艺复兴起到了重要的作用,促使文艺复兴在英国成功实现。本篇essay代写51due代写平台整理,供大家参考阅读。

British theatre boom,英国戏剧,essay代写,代写,paper代写

The Renaissance plays an important role in the history of western literature and is also a valuable intangible cultural heritage of human society. Its value is not only reflected in its cultural connotation, but also because, in a sense, the Renaissance is the source of the whole western culture. Whether in language, painting, sculpture, literary works or even in all aspects of social life, the Renaissance had a considerable impact on them. This paper makes a brief analysis of the roots of the flourishing of English drama in the Renaissance period.

Unlike political revolutions, which were mostly short-term, storm-like changes in social systems, the Renaissance was formed gradually and slowly over a long period of time, starting with scattered and individual discoveries and changes. The political revolution only overthrew the autocratic rule of the feudal system, while the Renaissance completely transformed the British society. In the Renaissance and the capitalist system supplement each other, triggered the literary and social changes, so that the international status and national strength of the United Kingdom has been developed and progress, and for the British dominant position laid the foundation. The impact of the Renaissance on British society was more significant than that of other countries, and all aspects of Britain changed significantly in a short time.

The English Renaissance began in the 14th century and reached its climax in the 16th century. The Renaissance had an overall impact on the British society and inspired the progress in all fields of society. The British drama was also influenced by the Renaissance and was in full swing under the promotion of the Renaissance. The development of English drama also played an important role in the Renaissance and promoted the success of the Renaissance in Britain.

When it comes to English drama, the first thing that comes to mind is Shakespeare, the literary giant in the English Renaissance. In the history of British drama plays a decisive role in Shakespeare's works, we are most familiar with the four tragedies of "romeo and Juliet". As now many love tragedy of romeo and Juliet, mainly about a pair of young men and women love each other, because family rivalry with each other and were forced to separate, Juliet with the help of a priest use feign death to escape from your family's line of sight, hoping to find romeo to elope with him, but did not anticipate, romeo's love is too hot, see Juliet suicide, should choose the double suicide. Wake up after Juliet grief, but also did not choose to live alone.

The archetypes of romeo and Juliet in the play are respectively pyrramus and tispa. In the myth and legend, these two young people are also truly in love, but they have no choice but to oppose the family, so they can only secretly plan to escape together. Mention spa with skin Brahms mulberry tree, she was waiting for the leather Brahms suffered a lion chasing, inadvertently defiled with blood veil fell to the ground, such as skin Brahms got to the prescribed destination only see the veil, mistook, palmer has been killed, and under the intense pain of chose suicide, when pass back to see skin Brahms's body, also double suicide under great grief.

Not only in the Renaissance, but also in the Renaissance, the modern English drama is deeply influenced by the story and character archetypes. Modern playwright George Bernard shaw's masterpiece the flower girl is a typical example, in which the protagonist -- linguist professor higgins is the prototype of the Renaissance "sculpture king" Pygmalion.

The Renaissance had a profound influence on British drama creation. Many plot prototypes of drama creation, such as the most typical "father and son conflict", "Oedipus" and "gender conflict", were all derived from stories about gods and royal families in the Renaissance.

The story of king Oedipus, known as "the most accomplished tragedy of ancient Greece", is a reflection of Freud's "Oedipus complex". In the myth, Oedipus kills his father because of his Oedipus' love for his mother. However Freud from Oedipus used to extract the behavior of "unintentionally" this part of the "intentionally", explains the rationality of the existence of Oedipus behavior, as a result, many British drama in the later work, for "father and son conflict" and "Oedipus complex" has a delicate description, the most typical is Lawrence drama "sons and lovers".

The relationship between husband and wife also has an enlightening effect on the story of "sexual conflict" in British drama. For example, in charlotte Bronte's Jane eyre, the image of the "crazy woman", the original wife of the hero rochester, is based on Medea, who is in love with song in the myth and legend. Medea was originally the princess of kochisi island, she in order to help fall in love with their prince Jason, overcome all kinds of difficulties, killed his own brother, only in order to marry Jason. Under the efforts of Medea, song, who gains the throne, falls in love with others. Medea, who is extremely in love with others, actually kills two of song's children and the woman he loves, leaving song. Finally, song dies a sad death.

Medea shares similar souls with the "mad woman" who finally set fire to the manor and died in Jane eyre. They are both born of love and hate, and choose to destroy together after realizing the love of losing her husband.

The Renaissance provided a complete reference system for the development of later literature, which had a profound influence on English literature. I believe that in our continuous study of the Renaissance, as a splendid cultural heritage, the thriving English drama in the Renaissance can maintain its charm and shine with infinite brilliance.

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