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essay代写-The third dimension of art

2019-04-10 | 来源:51due教员组 | 类别:Essay代写范文

本篇essay代写- The third dimension of art讨论了艺术的三度空间。艺术的三度空间,指的是由长度、高度和深度三个因素构成的立体空间。在绘画中,艺术家为了真实再现物象,就在平面上表现出三度空间的立体和纵深效果。而在文艺复兴时期,艺术们开始使用透视法,在二度空间上展示三度空间的纵深感。严格说来,任何一个立体物的视觉概念都只能以三度媒介加以再现。本篇essay代写51due代写平台整理,供大家参考阅读。

third dimension of art,艺术三度空间,essay代写,代写,paper代写

The third dimension of art is a three-dimensional space composed of length, height and depth. In painting, in order to truly reproduce the object, it is necessary to show the three-dimensional and depth effect of the three-dimensional space on the plane. The egyptians often used the "vertical projection" method because it showed not only a positive image of the eyes on the side of the face, but also the symmetry of the chest and shoulders. During the Renaissance, painters began to use perspective to show third-dimensional depth in the second dimension. Strictly speaking, any three - dimensional visual concept can only be reproduced in a three - dimensional medium. No matter how you draw it, you cannot reproduce a complete visual concept on the plane.

Western interpretations of space are more complex and diverse. In the 17th century, the British physicist Newton put forward the theory of "absolute space" and "absolute time". In his opinion, absolute space-time is "abstract", relative space-time is "empirical" and "sensible measure", and absolute space-time and relative space-time present "corresponding rules". Absolute spacetime is stationary while relative spacetime is in motion. Newton's space theory has great influence on the painting performance of the western traditional space. English aesthetician Hobbes thought: "space is an image of something that exists purely outside the mind; That is to say, space is an image in which we do not consider any other contingency, but only its presentation outside of us. Hobbes saw space as something independent of human consciousness. The French aesthete Descartes invented the geometrical coordinate, thinking space rationally. Kant, who holds an idealist position, opposes to understand time and space as things and the prescriptive nature of things. He thinks that space is "the innate intuitive form of sensibility". He said: "space is really only the way of all phenomena of the external sense. Therefore, space is the subjective condition of sensibility, under which we can have external intuition. Kant's explanation of the concept of space is metaphysical and transcendental. Before Kant there were three concepts that affected space. The first is Newton's concept of space, which is a real thing, independent of our sensibility, absolute; The second is the British aesthetician Locke's concept of space. The third is the concept of space by the German philosopher leibniz, who believes that space is a kind of "coexistence relationship" of reality. Kant's concept of space rejects not only Newton's "reality" theory, but also Locke's "attribute" theory and leibniz's "relation" theory. Western theories about space have become complicated in the study of aesthetes and scientists. In 1905, the theory of relativity was formally proposed. Einstein believed that space and time are relative, and objects are not only three-dimensional but also have the characteristics of four dimensions, so space-time is one. Driven by this reason, modern painting came into being. Modern artists abandon objective representation of external forms of objects, and pursue order, order and abstraction of objects. Try to achieve depth feeling in the case of lively color. The creation of abstract painting provides a "mobile" space for the viewer. Viewers introduce themselves into the space in the painting and experience different physical Spaces through subjective feelings. Therefore, the "movement" based on time adds a new one-dimensional space to the traditional three-dimensional space, namely the fourth dimensional space -- "time". Abstract painting completely abandoned the figurative space, completely subvert the modern painting tradition.

In malevich's absolute power, he creates a new process of abstraction and spatial diversity. It starts from a basic geometric shape and then adds other geometric shapes based on it, or harmonious combination or tension confrontation, to form a dynamic space.

In terms of shape, the painting "absolute power" is composed of red, yellow, blue, green and black rectangles, squares, trapezoids and long lines. Among them, trapezoid, square and long line are the variants of rectangle. Apart from the black triangles in the picture, they are somewhat simplified in shape. Malevich believes that white has a sense of space beyond the senses, with white as the background color. The foreground is filled with red, yellow, blue, green and black patches. Yellow and red are warm colors with a sense of expansion, while green and blue are cool colors with a sense of contraction. Tell from colour, these color piece have a kind of stereo order in the space. According to the law of near large and far small, the three color blocks in the foreground, yellow, red and black, can be grouped together and are closer to the viewer. Another set of horizontal color blocks in the background of the picture. The group of colors in the foreground, yellow, is at the front of the picture, the arrangement of which is indicated by its overlapping on the black squares. The black hue is slightly heavy, while the lightness of the red gives it a spatial position behind the yellow and before the black. In this way, the space position of the three color blocks in the foreground is yellow, red and black successively. This creates a sense of depth and space.

The sense of movement generated by the whole painting is determined by the following two aspects. Tilt generates movement. From the visual layout of the whole picture, the framework of color blocks, whether horizontal or vertical, slightly deviates to the right, thus creating a sense of movement. In shape, these rectangles and rectangles are not exactly 90 degrees. These squares are made up of trapezoids, especially the three colors in the foreground. The trapezoid adds a tension to the eye that wants to reduce them to rectangles. The inclination of the two sets of figures in the upper right and lower left corner of the picture creates a sense of convergence towards the middle. From the up and down of the trapezoid and tilt Angle, they seem to be moving quickly to the middle. Produce a strong sense of movement.

In malevich's "absolutism of power", the proportion and relation of each color block provide an access space for the viewer. The expansion and contraction rhythm brought by subjective feeling creates another space feeling based on time, namely an abstract thinking space. This kind of feeling completely describes the colors and lines in the heart with intuition and feeling, which is not bound by the reality and makes the audience resonate in the details. Thus enriched the diversity of the art space.

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