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Essay代写:Piano music style in the romantic period

2018-05-15 | 来源:51due教员组 | 类别:Essay代写范文

下面为大家整理一篇优秀的essay代写范文- Piano music style in the romantic period,供大家参考学习,这篇论文讨论了浪漫主义时期的钢琴音乐风格。19世纪初至中叶,在欧洲发生了一种新的音乐潮流,它的影响一直延续到19世纪后半叶,这就是浪漫主义。浪漫主义时期的钢琴作品是对传统、古典模式和束缚力权威的种种反叛,它重视个性、主观、情感的自由表现和抒发,从而使这个世纪成为钢琴音乐发展的巅峰时代。

Piano music style,钢琴音乐风格,英国代写,英国论文代写,essay代写

From the early 19th century to the middle of the 19th century, there was a new music trend in Europe, which lasted until the second half of the 19th century, which was "romanticism". The word "Romance" comes from Romance. In literature, a legendary story or poem about the heroic deeds of a medieval romance, which refers to a literary trend of thought in the late 18th and early 19th centuries. Piano works of the romantic period is the traditional and classical model and force binding authority of rebellion, it attaches importance to individuality, subjectivity, freedom of expression and the expression of emotion, thus making this century piano music development peak times.

The end of the 18th century to the early 19th century, the British industrial revolution and the French revolution in Europe's political, economic, has a huge impact, people's thought concept, social and cultural structure, art appreciation, significant changes have taken place in the composers status as there has been a fundamental change. They abandoned the traditional form, creating a lot of work, meet the demand of social change these works tend to borrow the medieval legends, the myth as the content, to metaphor the conflict between individual and society, celebrates love great and noble, human freedom and equality, they try to show their feelings in the piano music in the world, the personal emotion in the arms of works.

To some extent, the essence of romanticism is to express, convey, reveal and strengthen personal feelings. Romanticism music objectively exaggerates and deepens music's psychological characterization ability, which enriches the expression techniques and techniques of psychological depiction. Composers of the most creative inspiration from their emotional world, from the subtle perception of nature, from poetry, drama, painting and other sister arts enlightenment, from myths, legends and folk literature imagination. Among them, the composer's personal life experience, love, biography and various experiences occupy a considerable place in the creation of music.

Another prominent feature of romanticism is the increase in national factors. Chopin is a representative of their own national spirit to Poland, lister to mazaga, schumann to Germany, grege to Norway, and to Russia, and so on. The ancient legends, stories and plain folk music materials of this nation occupy an important position in their works, and the national tendency becomes an important part of the composer's expression of emotion. Many of Chopin's works embody his national patriotic spirit and national form; "Rhapsody in Hungary" by liszt; Greggy's rustic "the wedding day of trojhagen" and so on.

In the romantic period, title sex has become an important tendency and feature. During this period, music was often combined with sister art, such as literature, drama and fine arts, especially with poetry. So romantic composers with more and more poetic and literary tendency, not only add text to instrumental explanatory title, is becoming more and more to the visualizations and music image, tried to explain the textual content in music language. Such as schumann childhood scene, 13 piece of music, every piece of music has a title: such as "exotic and exotic people", "strange stories" and "hide and seek", etc., each paragraph headings are visually indicating the audience thinking direction; Again, the title of the "picture exhibition" by mossorgsky shows the basic picture of each music and so on.

During this period, the construction of the piano was gradually improved, and a number of professional piano players appeared, showing off their superb performance skills. In order to meet the requirements of playing, the composers used a lot of technical writing techniques, especially li st.

Because this period piano composers focused on subjective experience of life, the inner psychological world, the pursuit of fanciful, distinctive music colour, so touch the scenery or borrow scene lyric become their creation characteristic. The expression of this emotion is expressed in the melody, then becomes the lyric music language. The melody fluctuates greatly, such as Chopin's nocturne, the first ballad, and so on.

The harmony of the romantic period is further extended on the basis of classical functional harmony. The harmony is rich and colorful, and the new harmonic effect can be obtained by the use of external chord, changing tone and sound, expanding chord, complicated chord, etc. At the same time, there are also a large number of unprepared and unsolved dissonant chords. The harmony development is completely beyond the scope of regulation.

The romanticism music is still tonal, but this period of tonality is not as limited as classicism. The modulation of this period is complicated by the complexity of harmony, and the transfer of distant relation is frequent. For example, the 16 to 27 sections of the 10 to 4 of Chopin's etudes are transferred every two bars. This tonal frequent turning more apparent, in the late romanticism that late to liszt, Chopin, Wagner's creation, through different ways to achieve their respective tonal the verge of collapse.

Romanticism is the peak period of piano music development, and there is a new genre with strong romantic temperament in genre. Such as impromptus, nocturne, ballade, farcicality song, the concert etudes, fantasy, all kinds of folk dance music in the color, song without words, etc., also appeared a little character divertimento of music and small character, etc. These genres are well used by the romantic composers, and are highly enriched, developed and perfected.

During the romantic period, the pianists devoted themselves to developing the various timbre of the piano so that the piano could make a richer sound. Composers often create unprecedented timbre through special techniques, special notes and special chords. If Chopin's "first ballad" 85 to 86 reduces the six or seven levels, it creates a soft tone and lowers the quad by five degrees and creates a deep tone. Therefore, when playing the romantic piano works, we must pay attention to the strange and supernatural sounds in the works, and the multi-layered timbre expression.

The speed of romanticism is exaggerated, and it is expanding at a much faster rate than in classical times. It can be as fast as 200 beats per minute, with a minimum of 42 beats per minute. The intensity of the speed contrast, to the audience's auditory shock. Like Chopin's "etudes", the fastest is 184 beats per minute, the slowest is 50 beats per minute; Schumann's Vienna carnival is the fastest at 184 beats per minute, and the slowest is 69 beats per minute. In speed and there's one trait, the romantic piano works began to free speed is marked, the period is no longer restricted freedom of speed, with scaling, free to slow down or speed up melodies, go with love.

The piano of the romantic period is very close to the modern piano, and the mark of the intensity marked in this period conforms to the modern one. The scope of strength is from PPPP to FFF. During the romantic period, music emphasizes the expression of human emotions, including passion, excitement and grief, etc., so the intensity of the intensity is very high and the extreme strength is used more. In the first movement of Tchaikovsky's piano concerto no. 1, FFF appeared three times. The second movement even appears PPPP; In the only 62 bars of rakhmaninov's "prelude to a minor", four FFF, three SFFF, and more shockingly, the SFFFF appeared in 50 bars, which was surprisingly strong.

When playing the singing phrase, use the method of "dragging" from the outside to make the sound exquisite; When playing staccato, use the tip of your fingertips to make the sound elastic. Play a little bit deeper to make the sound full; Play lighter parts, shorter or less important sounds, or less important sounds; When you play fast, you can only play three quarters or four fifths. You can't just use your fingers when you're playing this, we're going to use other parts of the body. Use your wrists in extensional areas; Using elbows in continuous octaves and long distance jumps; Use big arms when playing deep chord. In addition, in some cases, it is necessary to apply the strength of the whole body, so as to reach the stage of harmonization.

With the improvement of piano technology, the application of pedals is becoming more and more detailed. There are four different types of pedals: the long pedal, the fuzzy pedal, the shallow pedal, the shiver pedal; Both weak and persistent pedals are used frequently.

To sum up, the romantic period is a peak period, the musicians in schumann, Brahms, Chopin, liszt, etc are one of the greatest pianists in the world, they to the modern piano school established beyond measure; Their piano works have left noble spiritual and cultural wealth for mankind.

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