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Essay代写:Western modern design

2018-01-06 | 来源:51due教员组 | 类别:Essay代写范文

下面为大家整理一篇优秀的essay代写范文- Western modern design,供大家参考学习,这篇论文讨论了西方现代设计。设计领域的“现代主义”只是一个波及面而已。从时间上来讲,它开始于 20 世纪初,直到第二次世界大战结束后的相当一段时间内,在这一时期,德国等欧洲国家以现代主义风格为主,美国和法国则进行了轰轰烈烈的“装饰艺术运动”。在众多设计史研究者的划分中,这一时期的设计大都以“现代主义风格”为主流。

modern design,西方现代设计,英国代写,essay代写,代写

To a certain extent, modern design is the embodiment, reflection and change of the connotation and style of traditional art in the wider carrier. However, the process of change of connotation, style and carrier is closely related to many other factors besides art design, and there are a lot of conditions in the back of each style and trend of thought. Why the design style and design thought of a certain period show such style, which must have some kind of rule restriction. Among the factors that influence the design, the social background, the influence of the art genre related to the design, and the role of the core characters are three extremely important factors.

Pluralism is absolute, unified is idealized. In the growing diversity of today, distinguish between the mainstream and the tributary of the relationship is conducive to our thinking, grasp the essence of the problem while taking into account the non essential issues.

In fact, the real history is always pluralistic, unified history, only in people's ideals, but not in reality. We should neither emphasize the unified of design thought and style, nor simply revel in the ideal of the smooth realization of pluralistic symbiosis of design thought and style. We should attach more importance to the design thought and style of interactive integration of the trend of design ideas and style of the one-yuan and pluralistic views more is a definition, its real state is "blending" and "understanding", is a mutual influence, mutual dialogue, mutual exchange and integration process. Under the background of more and more close relations among the countries of the world, it is very important to recognize the mainstream and tributary as well as the transformation relationship between the different design ideas and styles. After clearing this idea, we can not lose ourselves in the chaotic world, in many styles, schools, ideological trend to find the most suitable for their own development and perfect, and on this basis to create their own characteristics.

The Hayang is that it can accommodate all the rivers and the contents of the thing, which is the description of the inclusiveness of truth. Similarly, mainstream thinking should be inclusive and tolerant of non-mainstream, because there is a day, Wanchuan are east flow, green Mountains do not retain, the end will go to the ocean, but because there is no absolute mainstream, if the mainstream is not inclusive, its own mainstream status also quickly can not be successfully defended, when the mainstream into a tributary, lonely has just begun. Some people say: "Non-mainstream is not inflow." "I think Non-mainstream is excluded, repressed." Most people are resisting non-mainstream things from the bottom of their hearts, and indeed, they are funny, weird, and even repulsive to the current mainstream. But who dares to say that the current mainstream has never been crowned with such a title in the early days, and Non-mainstream is not as popular as the mainstream confrontation, they are at most the mainstream of the imaginary enemy. Even in a lot of times, Non-mainstream is the mainstream of the embryonic, as if not into the White Swan's ugly duckling, the endless stream will not be worshipped, only in time, when the Times and aesthetic changes, when the new fashion leader appears, all will be changed. Examples of the interaction between mainstream and tributary in the history of design have been discussed in the previous article. All this confirms the interaction between the mainstream and the tributaries. Mainstream and non-mainstream are transformed in relative dynamics and staggered in change. In a certain period of time, mainstream and non-mainstream are transformed, from a philosophical point of view, the main aspects of contradictions and secondary aspects can be mutually transformed, the main aspects of contradictions and secondary aspects of the relationship is the unity of opposites, they are mutually exclusive, and interdependent.

In the broad sense, modernism is a movement that sweeps all aspects of ideology. It is not only confined to the design field, the design field of "Modernism" is only one of its affected surface. In time, it began in the early 20th century, until the end of the Second World War, a considerable period of time, during this period, Germany and other European countries dominated by modernism, the United States and France carried out a vigorous "decorative arts movement." In the division of many design history researchers, the design of this period is mostly in the mainstream of "Modernism style". During the modernist movement, most of the works have good function, beautiful and clear appearance, simple processing technology, strong durability, and attention to detail and the unity of the whole, more in line with the needs of large-scale production. Most of the design works of this period have high rational characteristics, good functional and simple, lightweight and elegant modelling; in color, the modernism design is mainly black and white gray, and emphasizes tonal and unification, this kind of color is related to the inherent color of the material, also relates to the echo relation of product form; Modernism opposes all unnecessary decorations, the pursuit of unity of function and form, which is doomed to the simplicity of the product form; In the application of materials, modernism advocates the attempt of new materials, attaches great importance to the combination of material characteristics and product characteristics, and embodies the characteristics of materials through design. In design thinking, modernism advocates democracy, For the purpose of serving the public.

In this dazzling diversity period, a design style to really occupy the mainstream position is difficult and difficult, if the Italian design style occupy the mainstream, the Scandinavian style of the influence is also very large; if the contemporary German design style is the mainstream, Postwar Japan's design style also has the widespread influence in the world scope, but the function design, the rationalism, the green design and so on all belong to the internal design thought this level concept, is not the external style this level concept.

The design community since 1980, the Italian design style still retains its unique cultural characteristics, Scandinavia is still known for its high humanity, the post-war German design style continued the pre-war modernist style while some improvement, postwar Japan's design style has gone through the road of imitation to innovation. In addition, there are many other tributary styles in the design world. Architectural style, transition High-tech style, deconstruction style, microelectronics style, reducing doctrine style, neo-modernism style and so on are the tributary style of this period.

Although generations of artists and designers have always tried to shake off the shadow of traditional culture and create their own artistic milestones, the influence of traditional culture is everywhere. In the process of modern design, regardless of the architectural design or the product design domain, the traditional culture and the traditional style influence has not been interrupted, whether is the Arts and Crafts movement to the medieval Gothic style esteem, the new art movement to the classical style blending, or the decorative artistic style to Egypt and so on ancient decoration style as well as Africa, The primitive Art of South America for reference, is no exception, postmodernism is also the new art movement designers Goldie works to draw inspiration, its metaphorical and Goldie works in the complex and rich cultural temperament and mysterious religious color coincide, Goldie works undoubtedly become the source of reference for postmodernism designers, is a vivid embodiment of the influence of traditional culture on modern design.

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